Back on My B.S

Busta Rhymes' eighth studio album has been a long time coming, originally slated for release as early as late 2007 but held up by Rhymes' break with Dr. Dre's Aftermath Entertainment and Interscope, which released 2006's Billboard 200-topping "The Big Bang." Now with Universal Motown, Rhymes seems to have used the wait time for market research; there's something for everyone on "Back on My B.S.," from the business plan of "Respect My Conglomerate" with Lil Wayne and Jadakiss,

to thumping sex-up "Sugar" featuring Jelly Roll, to club-jumper "Arab Money," which stands out not only for its exotic hook but for its culturally disconcerting lyrics. What there is not quite enough of is Rhymes himself—the deft MC is a bit crowded out by collaborators' mic turns and auto-tuned refrains. Those tunes that he owns, such as the Pharrell-produced, Jamaican-spun "Kill Dem," or even the verses Rhymes wrestles from Akon and T.I. in the energetic jam "Don't Believe Em," are the best evidence that the rapper is still one of the most skilled in the game.
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